Judging books by their covers: Five publishing design cliches
Michael Wolff’s controversial bestseller Fire and Fury: Inside the Trump White House has been slated in some quarters for its cover design – but as you can see, the stark-fonts-on-plain-background look is actually bang on trend for the hard-hitting political genre. Here, with apologies to graphic designers everywhere, TOM CHURCHILL has mocked up five other […]
Michael Wolff’s controversial bestseller Fire and Fury: Inside the Trump White House has been slated in some quarters for its cover design – but as you can see, the stark-fonts-on-plain-background look is actually bang on trend for the hard-hitting political genre.
Here, with apologies to graphic designers everywhere, TOM CHURCHILL has mocked up five other book design clichés – alongside some real-world ‘bookalikes’ – ranging from the brooding silhouetted men of Jack Reacher-style airport thrillers to the bold full-page typography of literary fiction.
Bestselling airport novel
How it works
If there’s one thing every self-respecting blockbuster novel needs on its cover, it’s a silhouetted man with his back to the reader, walking away, alone.
It’s a style that tells you, with all the subtlety of a sledgehammer, that the book’s protagonist is likely to be a maverick who doesn’t play by the rules and does things his own way.
Real-world examples include James Patterson (The Family Lawyer), Lee Child (just about any of his Jack Reacher series) and Linwood Barclay (Parting Shot).
Heavyweight literary fiction
How it works
If you’re courting broadsheet reviewers and prize judges with your latest slab of literary genius, you can’t go wrong with big, bold, typography – if nothing else, it’ll ensure that no one is in any doubt whatsoever who the author is.
It’s a refined and classy look, eschewing generic stock photography and illustration in favour of a more abstract aesthetic. Bonus points if your title contains two words.
Some textbook examples come from Vikram Seth (A Suitable Boy), Zadie Smith (Swing Time) and Hari Kunzru (White Tears).
Fantasy epic
How it works
The sword is the go-to visual element for the Nth instalment of your long-running fantasy saga (other choices include shields, dragons, crowns, and single reptilian eyes).
It can be seen here to great effect in The Subtle Knife from Philip Pullman’s His Dark Materials trilogy, George RR Martin’s A Dance with Dragons, from the Game of Thrones series, and Diana Gabaldon’s Outlander novel The Fiery Cross.
Female-orientated fiction
How it works
In case you were in any doubt as to whether publishers use cover design to target certain demographics, just look at how many books are adorned with a silhouetted woman’s head, in profile, sporting a bun.
Whether it’s magical fantasy (Kiran Millwood Hargrave’s The Girl of Ink and Stars), a moving love story (The Story of Beautiful Girl by Rachel Simon) or even classic literature (Charlotte Brontë’s Jane Eyre), this tried-and-tested design lets you know that this book is not for you, boys.
Gripping psychological thriller
How it works
A staircase: check. Figure(s) walking up said staircase: check. The word ‘lies’: check. Yep, for the aspiring writer of ‘gripping psychological thrillers’ (incidentally, has anyone ever read a non-gripping psychological thriller?) there’s only one way to go.
Expect dark family secrets, shocking forgotten events and big twists, aimed squarely at the Kindle audience.
Our uncannily similar real-world examples come from Shalini Boland (The Secret Mother), T. M. Logan (Lies) and Kathryn Croft (Silent Lies).
Source: BBC.com